Join Charlotte Ballet in the exploration of love and life at Knight Theater. This performance series, Come To Life, features contemporary works by extraordinary artists. Charlotte Ballet is excited to present Artistic Director Alejandro Cerrudo’s Little Mortal Jump – a work that takes you on an emotional journey anchored by an eclectic music selection. Experience Jiří Kylián’s iconic Petite Mort. Created for Nederlands Dans Theater for the 1991 Salzburg Festival, the piece is set to music by the legendary composer Wolfgang Amadeus Mozart. Completing the program, Charlotte Balletbrings you a world premiere by the award-winning choreographer Penny Saunders.
Featured Choreographers:
Alejandro Cerrudo: Alejandro Cerrudo was born in Madrid, Spain. His professional career includes work with Victor Ullate Ballet, Stuttgart Ballet, Nederlands Dans Theater 2 and Hubbard Street Dance Chicago (HSDC). Cerrudo became HSDC’s first-ever resident choreographer in 2008 and held that position until 2018.
Cerrudo’s body of work has been performed by over 20 professional dance companies around the world. Honors include an award from the Boomerang Fund for Artists (2011) and the Prince Prize for Commissioning Original Work from the Prince Charitable Trusts (2012) for his acclaimed, first evening-length work, One Thousand Pieces. In 2014 he was awarded the USA Donnelley Fellowship by United States Artists. Also, Cerrudo was one of four choreographers invited by New York City Ballet’s Wendy Whelan to create and perform original duets for Restless Creatures. In 2017 Cerrudo was invited by Daniil Simkin to choreograph a site-specific performance for the Guggenheim Rotunda, a Works & Process Rotunda Project commission, featuring Daniil Simkin and original costumes by Dior. Cerrudo’s Sleeping Beauty, created with Ballet Theater Basel in 2016, was nominated as “Production of the Year” in Switzerland in the “Tanz, Jahrbuch 2016” by the Neue Zürcher Zeitung.
In 2020 Cerrudo was appointed Pacific Northwest Ballet’s resident choreographer, with that, he became the first artist in the company’s history to have the honor of holding that title. Independently, he directed and choreographed his show, “It Starts Now,” which premiered in 2020 at The Joyce Theater in New York. In 2022, Cerrudo was appointed artistic director of Charlotte Ballet.
Jiří Kylián’s: Born in Czechoslovakia in 1947, Jiří Kylián started his dance career at the age of nine, at the School of the National Ballet in Prague. In 1962 he was accepted as a student at the Prague Conservatory. He left Prague when he received a scholarship for the Royal Ballet School in London in 1967. After this, he left to join the Stuttgart Ballet led by John Cranko. Kylián made his debut as a choreographer here with Paradox for the Noverre Gesellschaft. After having made three ballets for Nederlands Dans Theater, Viewers, Stoolgame and La Cathédrale Engloutie, he became artistic director of the company in 1975. In 1978 he put Nederlands Dans Theater on the international map with Sinfonietta. That same year, together with Carel Birnie, he founded Nederlands Dans Theater II, which served as a bridge between school and professional company life and was meant to give young dancers the opportunity to develop their skills and talents and to function as a breeding ground for young talent. He also initiated Nederlands Dans Theater III in 1991, the company for older dancers, above forty years of age. This three dimensional structure was unique in the world of dance. After an extraordinary record of service, Kylián handed over the artistic leadership in 1999, but remained associated to the dance company as house choreographer until December 2009. Jiří Kylián has created nearly 100 works of which many are performed all over the world. Kylián has not only made works for Nederlands Dans Theater, but also for the Stuttgart Ballet, the Paris Opéra Ballet, Bayerisches Staatsoper Münich, Swedish television, and the Tokyo Ballet.
Kylián has worked with many creative personalities of international stature, including composers Arne Nordheim (Ariadne, 1997) and Toru Takemitsu (Dream Time, 1983) and designers Walter Nobbe (Sinfonietta, 1978); Bill Katz (Symphony of Psalms, 1978); John Macfarlane (Forgotten Land, 1980); Michael Simon (Stepping Stones, 1991); Atsushi Kitagawara (One of a Kind, 1998); Susumu Shingu (Toss of a Dice, 2005); and Yoshiki Hishinuma (Zugvögel, 2009).
In the Summer of 2006, together with Film Art Director, Boris Paval Conen, he created the film Car-Men. It was choreographed “on location” on the surface brown coal mines of the Czech Republic. In 2010, Kylián served as Mentor in Dance in the Rolex Mentor and Protégé Arts Initiative. In 2013, together with NTR, he created the film Between Entrance and Exit which was nominated as one of the contestants for the ‘Gouden Kalf’ award during the Dutch Film Festival 2013 in Utrecht. For the Aichi Trienalle in Nagoya, Japan, he created the full-evening dance/film production, East Shadow which was dedicated to the victims of the Tsunami in Japan in 2011.
Over the course of his career, Kylián received many international awards including Officer of the Orange Order (Netherlands), Honorary Doctorate from The Juilliard School (New York), three Nijinsky Awards for best choreographer, company, and work (Monte Carlo), Benois de la Danse (Moscow and Berlin), Honorary Medal of the President of the Czech Republic, and Commander of the Legion d’honneur (France). In 2008 he was distinguished with one of the highest royal honors, the Medal of the Order of the House of Orange given to him by Her Majesty the Queen Beatrix from the Netherlands. In 2011, Kylián received the Lifetime Achievement Award in the field of dance and theater by the Czech Ministry of Culture in Prague.
Penny Saunders: Penny Saunders, originally from West Palm Beach, Florida, graduated from the Harid Conservatory in 1995 and began her professional career with The American Repertory Ballet under the direction of Septime Webre. She went on to dance with Ballet Arizona, MOMIX Dance Theater, Cedar Lake Ensemble, and in 2004 she joined Hubbard Street Dance Chicago.
In 2011, Saunders won the International Commissioning Project which launched her choreographic career, creating pieces for Hubbard Street, Cincinnati Ballet, Whim W’Him, Pacific Northwest Ballet, Oklahoma City Ballet, BalletX, Sacramento Ballet, The Royal New Zealand Ballet, Tulsa Ballet, Diablo Ballet, Dayton Ballet, Eugene Ballet, ArtEmotion/Ballet West and Seattle Dance Collective among others. Saunders is honored to be the Resident Choreographer at The Grand Rapids Ballet, to have received support from The New York City Ballet Choreographic Commissions Initiative, to have participated in The Guggenheim Works & Process, and The National Choreographers Initiative, and to be the recipient of the 2016 Princess Grace Choreographic Fellowship.
She is currently Artist in Residence at USC Kaufman School of Dance as well as an Adjunct Assistant Professor at The University of Utah School of Dance. This year Saunders is looking forward to upcoming collaborations with The Royal New Zealand Ballet, Pacific Northwest Ballet, Grand Rapids Ballet, Rosin Box Project, Sacramento Ballet, Dance Aspen, Diablo Ballet, New Century Dance Project, National Choreography Intensive and Oklahoma University.
TICKETS:
Tickets start at $30
BLOG
2023/2024 SEASON
There has never been an ordinary artform. Art, in all forms, has transcended generations, languages and emotions. The 2023/2024 Season, Artistic Director Alejandro Cerrudo’s first fully curated season, brings new choreographers, stories and performers to the Queen City. We can’t wait to share this season with you all. Read the full details on our blog!